occasional urges
occasional urges brings together works by Sophronia Cook, Dorota Gawęda and Eglė Kulbokaitė, Rindon Johnson, and David Reed, exploring how temporal presence is captured and expressed through gestures, bodily movements, and shifting states within the artworks. The interplay of transparency and presence, along with the layering of these elements, foregrounds processual approaches shaped by prior experiences, thoughts, and memories, where the mutability of states becomes a central theme.
David Reed (*1946 in San Diego, US) draws strong inspiration from the movement of film, transforming the expressive gesture of paint application into an artificially controlled depiction of the brushstroke, built up through layers of overlaying and sanding down paint. His large-scale painting #659 (Vice and Reflection) references the TV series "Miami Vice", exploring the interplay between time, movement, and perception by adopting the compositional strategies of film and translating them onto the canvas.
Dorota Gawęda (*1986 in Lubin, PL) and Eglė Kulbokaitė (*1987 in Kaunas, LT) investigate the movement of the body through space, creating sculptural fragments of memory where performance, image, and sensual experiences overlap. Their sculpture Censer 1 (2023) releases the scent of a past performance, synthetically recreated to olfactorily transmit memories of the collective event.
The aluminum sculptures by Sophronia Cook (*1992 in Sanger, US) and Rindon Johnson (*1990 on the unceded territories of the Ohlone people) embody the ephemerality of bodies, transforming them into another temporality through shifts in materiality. Johnson's leather wall objects are exposed to weather conditions for months, leaving traces on the hides, while Cook's paintings undergo a transformation through the constant revisiting of elements from earlier works.
The exhibition thus presents works that dissolve linear narratives on multiple levels, making time experientially layered within the space.
Opening | Munich
Wednesday 13 November
7 – 9 pm
Winterbreak
21 December 2024 – 6 January 2025
New Year kickoff
with Dorota Gawęda and Eglė Kulbokaitė
Thursday 16 Januar
5 – 8 pm
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David Reed, #659 (Vice and Reflection), 1975/ 1996-2000/ 2007-2011/ 2014-2015/ 2015-2016/ 2016
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Dorota Gawęda and Eglė Kulbokaitė, Leave No Trace (Athens) I-VIII, 2022
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Rindon Johnson, Attack in transition (moi!) no paste wasted (run) your center won’t hold (je). Condemnation. Plod. Cope. RC Car. The rain drips from the trees. Did we discuss already the toilet?, 2023
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David Reed, #335, 1993-1995
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Dorota Gawęda and Eglė Kulbokaitė, Censer I, 2023
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Sophronia Cook, tugging from oblivion for a moment, 2024
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David Reed, #554, 2006
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Sophronia Cook and Rindon Johnson, Organized Science, 2024
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Sophronia Cook, sphinx warble, 2024
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Rindon Johnson, Lyn Says #1: As for we who "love to be astonished," money makes money, luck makes luck. Moves forward, drives on. Class background not landscape--still here and there in 1969 I could feel the scope of collectivity. It was the present time for a little while, and not so new as we thought then, the present always after war. Ever since it has been hard for me to share my time. yellow of that sad room was again the yellow of naps, where she waited, restless, faithless, for more days. They say that the alternative for the bourgeoisie was gullibility. Call it water and dogs. Reason looks for two, then arranges it from there. But can one imagine a madman in love. Goodbye; enough that was good. There was a pause, a rose, something on paper. I may balk but I won't recede. Because desire is always embarrassing. At the beach, with a fresh flush. The child looks out. The berries are kept in the brambles, on wires on reserve for the birds. At a distance, the sun is small., 2023
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David Reed, #732-2, 2020