Nina Canell
Swedish artist Nina Canell (*1979 in Vaxjö, SE) explores the potential of hidden objects and materials meant for the usage of forwarding or saving knowledge and technological processes. Canell transforms sliced power- and fiber optic cables, unwound wire coils or exposed electrical wires into sculptural arrangements. Her interest in the contemporary advances of data transmission, the physical properties of data carriers themselves and their indiscernible internal processes is rooted in the questioning of memory and knowledge. Her conviction is that there is no mediation without loss, neither between solid objects nor living things. Her sculptural process reveals the hidden process of transmission, at the same time questioning the integrity of the object with synthetic and organic materials. Nina Canell exhibited in the Nordic Pavilion at the 57th Venice Biennale in 2017. In 2019 the Kunstmuseum St. Gallen and the Kunsthalle Baden-Baden both showed solo exhibitions of the artist.
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Podcast | SWR2 | Das Gedächtnis der Dinge | Nina Canell in der Kunsthalle Baden-Baden
2019 17 June 2020The podcast by Marie-Dominique Wetzel was broadcast by the radio station SWR2 in 2019 on the occasion of the exhibition 'Muscle Memory' at the Kunsthalle Baden-Baden. With quotes from the artist, this documentation leads through the exhibition with explanations of selected works.continue reading -
Nina Canell | Reflexologies | Kunstmuseum St. Gallen | arttv
2018 31 March 2020The video offers an insight into Nina Canell's exhibition 'Reflexologies' (2018) at the Kunstmuseum St. Gallen, CH. The artist explores the potential of inconspicuous or hidden objects and materials. Cut-open power and fiber optic cables, unwound wire spools, and exposed electrical lines demonstrate her interest in technical advances, physical properties, and their imperceptible processes. The artist makes use of found items and used objects and transforms them into sculptural arrangements. More information about the exhibition herecontinue reading