Neïl Beloufa
French-Algerian artist Neïl Beloufa's (*1985 in Paris, FR) video works, sculptures, and installations focus on today's society permeated by digital technology, its value systems, and representational strategies. His artistic language reveals poetic overlays of reality and fiction on current issues ranging from power relations, digital surveillance, and nationalist ideologies to questions of identity, environmental awareness, and a postcolonial understanding of the world. In doing so, Beloufa references the aesthetics of video games, reality TV, and political propaganda, thus using the vocabulary of the information age to create complex and precisely crafted works that call for rethinking beliefs and stereotypes. The artist negotiates questions of cause and effect, existence and absence, and the interpretation of the same, in various materialities that often embed technological components.
Neïl Beloufa's work has been shown in numerous solo exhibitions, most recently in an expansive installation at Pirelli HangarBicocca, Milan (2021), as well as at Schirn Kunsthalle, Frankfurt (2018), Palais de Tokyo, Paris (2018 and 2012), and the Museum of Modern Art, New York (2016). Beloufa was represented at the 58th and 55th Venice Biennale (2019 and 2013), as well as at the Lyon Biennale (2013), and was nominated for the Nam June Paik Award (2016) and the Prix Marcel Duchmap (2016).
→ CV NeÏl Beloufa
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inventing the past | group show
10 September - 23 October 2021 MunichThe international group exhibition inventing the past with Neïl Beloufa, Natacha Donzé, Lou Jaworski, Haroon Mirza and Keith Sonnier follows closely on the heels of the show chasing another tomorrow and, as a second chapter, signifies a change of perspective in terms of time. The diverse artistic positions are...continue reading -
chasing another tomorrow | group show
2 July - 31 August 2021 MunichThe international group exhibition chasing another tomorrow with works by Neïl Beloufa, Natacha Donzé, Haroon Mirza and Keith Sonnier is devoted to questions about different visions of the future and the respective effects of technology on humankind and the present day. Back in the 1970s, there was still a positive...continue reading -
take me to | group show
2 April - 27 June 2020 MunichThe newly formed gallery max goelitz opens on April 2, 2020, with the multimedia group exhibition "take me to". The title affirmatively references both the continuation of a previous conceptual direction and, in its openness, a future to be created and defined.continue reading
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exhibition | oslo, no
opening of the 2nd edition of the henie onstad triennial for photography and new media with works from neïl beloufa 14 April 2023The second edition of the triennial Henie Onstad Triennial for Photography and New Media at Kunstsenter in Oslo presents works that push the boundaries of...continue reading -
festival | berlin, de
neïl beloufa's animated and interactive sculpture host b is part of the festival transmediale 2023 1 February 2023Neïl Beloufa's sculpture Host B is part of the transmediale 2023 festival, which explores how technological scale creates relationships and ruptures in the world by...continue reading -
exhibition | munich, de
max goelitz x kunstraum9 present the exhibition freedom of manoeuvre with neïl beloufa, gabriel rico and haroon mirza 2 October 2022The privately run KunsTraum9 and max goelitz jointly present the group exhibition 'Freedom of manoeuvre' with works by Neïl Beloufa (*1985, FR), Haroon Mirza (*1977,...continue reading -
exhibition | vienna, at
neïl beloufa's pandemic pandemonium at the secession is exhibition and playing field at the same time 29 June 2022Die Ausstellung ist ein Spiel: Nur wer spielt, kann die Ausstellung wirklich erleben! Screen Talk, Cheat Island, Console of Quiz, Press Key Port, Hand of Vengeance, Tax Haven Roulette und Souvenir Shop heißen die diversen Stationen von Pandemic Pandemonium. Tatsächlich ist die ganze Ausstellung eine Art begehbares Spielfeld: Man bewegt sich durch die einzelnen Zonen, sammelt Informationen und Schlüssel für die Quizfragen und kleinen Aufgaben, die an den „Spielautomaten“ zu lösen sind, an denen man sein Glück versuchen und – mit etwas Geschick und guten Nerven – auch echte Kunstwerke gewinnen kann. Keine Angst! Das Spiel ist humorvoll und parodistisch, die Antworten finden sich in den 16 Episoden der Videoinstallation Screen Talk und ein Besuch von Cheat Island – der Betrüger*innen-Insel – könnte auch hilfreich sein, selbst wenn man dadurch eventuell in ein moralisches Dilemma stürzt.continue reading
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Neïl Beloufa Artis Mundi 7 | British Council Arts
2017 31 March 2020This interview with Neï l Beloufa is part of a series of the Artes Mundi prize. 2017, Artes Mundi hosted its 7th major international exhibition and the UK’s largest contemporary art prize. The prize is open to artists whose work explores social issues which relate to the theme of ‘The Human Condition’. Neïl Beloufa’s work examines power structures in the age of technology and in this film he shares his thoughts about three projects – World Domination, Monopoly and Counting Contest – he was showing at Artes Mundi 7.continue reading -
Neïl Beloufa Atelier A | Arte
2018 31 March 2020This short documentary by the TV channel Arte provides an insight into Neïl Beloufa's practice and was shot in 2018 on the occasion of his exhibition 'L'Ennemi de mon ennemi' (The Enemy of My Enemy) at the Palais de Tokyo in Paris. The project 'Kempinski', which was created in Mali, questions stereotypes of documentary and science fiction film and is focused in the report. More information about the exhibition herecontinue reading -
Neïl Beloufa Schirn Interview | Schirn Kunsthalle Frankfurt
2018 31 March 2020The interview was created in the context of the exhibition 'Global Agreement' by Neïl Beloufa at the SCHIRN Kunsthalle Frankfurt 2018. The museum presented the latest cinematic works of the multiple award-winning video and installation artist. A filmic interview collage was shown on various monitors in parts of the walk-in installations. It shows Beloufa's interest in military, weapons, fitness, beauty and body cult as well as in the staging of power. More information about the exhibition herecontinue reading